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These are heady days for those of us who wear our devotion to metal like a badge of honor. The deafening beast of the dark depths has lived to roar and rampage again and the scene has never been in a happier or healthier state. But don't be deceived. Metal never really went away. In fact, its current fortitude stems entirely from the bands that never surrendered those brave, liquor-soaked men whose total disregard for the vagaries of fashion and finance kept them glued to the grindstone through metal's mainstream wilderness years. Now, as seems wholly fitting, the greatest of these are finally reaping their rewards and hitting new creative peaks as they surge unstopably onwards and upwards. And, as it was in the beginning, so shall it be now.Just as the gravel-lined, turd-stained streets of urban England gave heavy metal to the world back in the late 70s, so that small country with the big voice continues to be the place where the world's finest dark metal band rest their weary, alcohol-ravaged heads after another sonic killing spree. Love them, hate them or both, Cradle Of Filth is back again to fondle you while slitting your throat. Thornography has arrived!Recorded at Chapel Studios in Linconshire, England, with renowned metallic production genius Rob Caggiano (Anthrax, Bleeding Through) and mixed by Andy Sneap (Killswitch Engage, Arch Enemy, Trivium) at Backstage Studios, Derbyshire, Thornography is the band's seventh full-length studio album and their second for Roadrunner. The follow-up to 2004's widely acclaimed and Grammy Nominated masterwork Nymphetamine it's a scintillating and terrifying collision between the familiar and the unexpected. It's the dark, destructive and unsettling sound of a globe-conquering heavy metal band at the height of their sick, twisted powers, and the continuation of a proud, priapic and unhinged legacy that stretches back nigh on 15 years.When Cradle Of Filth released their now legendary debut album, The Principle Of Evil Made Flesh back in 1994, the notoriety surrounding the Black Metal scene - and its spiritual epicentre in Oslo, Norway, in particular - was reaching fever pitch throughout Europe. These legions of the damned and disgusted took metal further into the abyss than it had ever been before, stripping away its worldly concerns and reducing it to a pure and chilling core of impenetrable black menace. Cradle Of Filth were undoubtedly inspired by this sea-change in metal's ongoing evolution, they had their own plans for disseminating their own distinct, gothically-erotic propaganda and swiftly defined their own left hand path. Their disdain for playing by the rules was startling in its intensity from the very start.Throughout the 90s, Cradle of Filth - led by vocalist, lyricist and crypt-crawling master of ceremonies Dani Filth - beavered tirelessly away, producing a series of peerless extreme metal classics that drew from an endless, dizzying array of inspirations and influences while always maintaining that instantly recognisable heart of filthy darkness. The brutal and brief VEmpire mini-album and the lustrous, lascivious Dusk & Her Embrace (both 1996) began to reveal the band's great sonic range. Later taking into account the slithering concept piece Cruelty & The Beast (1998) and the Clive Barker-inspired Midian (2000) - not to mention their excursions into the visual realm of film and promo - the Cradle Of Filth sound showed itself to be a many-headed creature. It was one that took delight in confounding both the purists and the critics who continually assailed the band's motives and creativity even as their fan base expanded and their status soared. With a line-up that seemed to be constantly changing - thanks, perhaps, to the cobweb-encrusted revolving door that rumors suggest marked the entrance to the band's rehearsal space during this period - the music was never allowed to stagnate - fresh blood and its revitalising effects remained a permanent weapon in the boys' macabre arsenal.
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