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Bullet for My Valentine - Topic यूट्यूब चैनल के आंकड़े
Finding themselves five albums in and long established as one of the biggest British metal acts in music history, Bullet For My Valentine have been busy rewriting their own future – finding new ways to invent intelligent noise and remaining unshackled by the legacy that comes with being masters of the trade. After initially forming as Jeff Killed John in 1998, eventually securing a five-album major label deal, their 2005 debut The Poison and 2008 follow-up Scream Aim Fire would provided an injection of what heavy music was very much lacking at the time. Consecutive full-lengths Fever, Temper Temper and Venom would cement their stature as modern masters, selling millions of albums worldwide and being crowned Best British Band at the Kerrang! Awards three years in a row – where they’ve also been awarded for Best Single, Best Live Band and Best British Newcomer. It’s not just the press and fans that have afforded them such faith – even the heroes that inspired them in the first place, bands like Iron Maiden and Metallica, have personally selected BFMV to hit the road and share the stage with them.
Returning with new opus Gravity, the Welsh quartet have stretched their creative wings like never before, delicately balancing film-score electronica and icy synths in their trademark hellfire of hard rock. Yet, in many ways, its 11 tracks are the mark of a band at their most focused and refined – utilising an expansive whirlpool of noise to clarify their message, rather than overcomplicate it. Opener Leap Of Faith is as devilishly catchy and heavy as any of BFMV’s biggest hits to date, while the stripped-down acoustics of Breathe Underwater capture a side to them that’s never been heard before. With touring drummer Jason Bowld joining founding singer/guitarist Matt Tuck, fellow axeman Michael ‘Padge’ Paget and bassist Jamie Mathias, this is a band reborn – in more ways than one…
“Over the last 12 months, I’ve been thinking about the word contemporary a lot,†reveals Matt, in the run-up to release. “And I feel this is a contemporary record. It’s not an old school, heart-on-your-sleeve influences thing. We’ve done that so let’s move forward and make the band more interesting. We don’t want to alienate anyone… but we don’t want to write the same shit anymore. Metalheads will enjoy this, I actually feel the softer electronic parts make the heavy moments even more crushing. It’s about engaging the listener and taking them on a journey, messing with their heads a bit…â€
New offerings such as Letting You Go, The Very Last Time, Under Again and Coma are among those that are guaranteed to mess with heads – marking a departure from the metalcore scene they were instrumental in popularising. It’s arguably the bravest move of their career to date, their ultimate act of defiance. And somehow, a song like Coma could also contain one of the heaviest riffs this band have ever put their name to…
“That’s a dark track with a lot of weight to it,†nods Matt. “It’s definitely one for those that like broodier, heavier songs. We tried to push the boundaries a bit further on that song with all the electronic stuff and loops. Lyrically, it’s a true representation of where I’ve been over the last two years unfortunately… but now I’ve come out of the other side.â€
The three years since 2015’s Venom haven’t been easy for BFMV’s commander-in-chief. But instead of falling deeper down a tunnel of self-despair, he channelled his life experiences into art like never before. It would be one of the most introspective and revelatory processes of his life – by his own admission, a personal and creative evolution that simply needed to happen…
“This is me pouring my heart out into song,†continues Matt. “It’s all about that journey.
I picked up my guitar, even though I didn’t really want to, and it’s like I couldn’t stop it, like I couldn’t fight it… Something boldly experimental can’t be done on a whim, we had to be comfortable and eventually we got there. The album is so up and down, so positive on tracks like Not Dead Yet, which is all about seizing the day and catching the moment. Then Under Again is all about the crushing depression I had about a year ago. The whole thing captures the character of… well, me – with some help from [producer] Carl Bown. There’s so much weight to this music without being complicated. That’s exactly what this album is: very uncomplicated.â€
Having a multi-instrumentalist like Jason fully on-board also played a big part in this latest chapter of their history – the sticksman having worked with Matt previously in BFMV/Cancer Bats offshoot Axewound. The insight from a musician that made his name playing in Pitchshifter, Killing Joke and Pop Will Itself was not to be ignored – bringing something very different to the classic heavy metal influences at play between the long-lasting Tuck/Paget guitar part
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निर्दिष्ट नहीं है
पंजीकरण तिथि
27-06-2013
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457
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$7.2K - $116K
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$15 - $254
सब्सक्राइबर
30,500
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#352,337
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41
दृश्य
29,030,653
दृश्य रैंक
#112,041
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63,524
1 दिन का परिवर्तन
-28
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-70
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